http://www.eloisemaree.com.au/2020 daily 1.0 2021-02-22 https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/t/60338584e8886f045c336c04/1613989252701/ 2020 Mirror Image (framed aluminotype, 2020) (Mirror Image is a response to Vid Ingelevics’ essay ‘The Mirror Stage of the Public Museum’, in which the record-making process and the deliberate effacement of the photographer (the “deliberate refusal of self-reflexivity”) via blocking and or falls, tilts, shifts and swings when photographing mirrors is discussed It is an acknowledgement of the self in this photograph and every photograph, and as a continuance of the feminist self-portraiture of Ilse Bing, Francesca Woodman and others) Finalist in Blue Mountains Portraits, Blue Mountains City Art Gallery (Blue Mountains, Australia, 2021) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5ed6049407632767ca6f961b/603363086230de761cadccac/1613989252701/Eloise+Maree%27s+Mirror+Image+%282020%29+%28example+frame%29.jpg 2020 Mirror Image (framed aluminotype, 2020) (Mirror Image is a response to Vid Ingelevics’ essay ‘The Mirror Stage of the Public Museum’, in which the record-making process and the deliberate effacement of the photographer (the “deliberate refusal of self-reflexivity”) via blocking and or falls, tilts, shifts and swings when photographing mirrors is discussed It is an acknowledgement of the self in this photograph and every photograph, and as a continuance of the feminist self-portraiture of Ilse Bing, Francesca Woodman and others) Finalist in Blue Mountains Portraits, Blue Mountains City Art Gallery (Blue Mountains, Australia, 2021) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5ed6049407632767ca6f961b/5ed6054b2ddad14161bb7a53/1609636804479/2%2C+Caducity%27s+Children.jpg 2020 Caducity’s Daughters II (framed aluminotype, 2020) (On the ethics and toxicity of nineteenth through twenty-first century clothing and textile production) Commissioned by Modern Art Projects Blue Mountains for Sewn Up, Lyttleton Stores Cooperative (Blue Mountains, Australia, 2020) With thanks to Gala Grahovac (for modelling), and to Enrico Scotece and Michaela Gamble of The Negative (for assisting) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5ed6049407632767ca6f961b/5ed6052884ccba3548262dc8/1613980353119/Framed3rec.jpg 2020 Caducity’s Daughters II (framed aluminotype, 2020) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5ed6049407632767ca6f961b/5f77dc81324a4e19f64b037e/1606133320316/1%2C+Caducity%27s+Children.jpg 2020 https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5ed6049407632767ca6f961b/5f6c73b2064302750dcfdbe5/1606133368677/Framed2rec.jpg 2020 Caducity’s Daughters II (framed aluminotype, 2020) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5ed6049407632767ca6f961b/5fafc4f99488406ed9d04bb8/1605354766610/eastcoast2edit.jpg 2020 http://www.eloisemaree.com.au/pre-2020 daily 0.75 2021-02-22 https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/t/6033655611599b6703480e07/1613981014624/ Pre-2020 Elle (framed aluminotype, 2016) (On the feminine gaze) Finalist in the Gaffa Photo Fest, Gaffa Gallery (Sydney, Australia, 2016) and Blue Mountains Portraits, Blue Mountains City Art Gallery (Blue Mountains, Australia, 2020) With thanks to Elle Wickens, and to Sophie Chalk (for assisting) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5f758d7c1158a96d1ace22b1/5edc98939ae1433b3aab9af2/1613981014624/Rosarium+II.jpg Pre-2020 Elle (framed aluminotype, 2016) (On the feminine gaze) Finalist in the Gaffa Photo Fest, Gaffa Gallery (Sydney, Australia, 2016) and Blue Mountains Portraits, Blue Mountains City Art Gallery (Blue Mountains, Australia, 2020) With thanks to Elle Wickens, and to Sophie Chalk (for assisting) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5f758d7c1158a96d1ace22b1/5edc989495d12324a31812f4/1613980956979/Rosarium+II+framed.jpg Pre-2020 Elle (framed aluminotype, 2016) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5f758d7c1158a96d1ace22b1/551a9938e4b0c4fb19d64a7b/1610860648894/03.jpg Pre-2020 Untitled (16mm film, 2012) (On personal cultural memories and dress) With thanks to Rosanna de Champeux and Ehran Jade https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5f758d7c1158a96d1ace22b1/5590c468e4b0fc259f0f0321/1606133892312/ Pre-2020 Untitled (8mm film, 2011) (On personal cultural memory) With thanks to Rosanna de Champeux and Lucy Vecchio https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5f758d7c1158a96d1ace22b1/5de1eb2dc9c3e52694d60fd9/1601543300688/wesbite+%281+of+1%29-3.jpg Pre-2020 Image courtesy of the Australian Museum During 2018-2019, Eloise researched, digitised and interpreted glass plate negatives for the exhibition Capturing Nature: Early photography at the Australian Museum 1857-1893 Eloise has also worked on the exhibition Points of Focus: Historic photographs from the Pacific (the Macleay Museum), and has authored significance statements and Australian Dress Register entries (the Museum of Applied Arts and Sciences) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5f758d7c1158a96d1ace22b1/5de3102c8ca23e2f1d9d17ba/1601543283746/MatildaJulian_post6.jpg Pre-2020 image courtesy of Matilda Julian Throughout 2016-2019, Eloise developed and delivered monthly exhibitions (and public programs, panel discussions, makers markets and more) at Lyttleton Stores Cooperative, showcasing local or locally relevant artists, art collectives and community groups Artists she worked with include Matilda Julian, the Kandos School of Cultural Adaptation’s ‘An Artist, a Farmer and a Scientist’ participants, Rachel Peachey and Paul Mosig and Bryden Williams Eloise has also co-developed and delivered monthly exhibitions at Platform Gallery, Australia’s first feminist gallery https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/5f758d7c1158a96d1ace22b1/5f7590dbcd2d631e090190fe/1601540653415/rosarium-3.jpg Pre-2020 http://www.eloisemaree.com.au/available-at-day-gallery daily 0.75 2021-02-25 https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/t/60379985787d37136320b66b/1614256517772/ Available at Day Gallery After Atkinson IV (framed tintype, 2020) After Atkinson I to III available to purchase at Day Gallery (Blue Mountains, Australia) With thanks to East Coast Wildflowers https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/6033657011599b6703480ec8/5fafc66b0e8bbf646f451172/1614256517772/afteratkinson4.jpg Available at Day Gallery After Atkinson IV (framed tintype, 2020) After Atkinson I to III available to purchase at Day Gallery (Blue Mountains, Australia) With thanks to East Coast Wildflowers https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/6033657011599b6703480ec8/55a34b83e4b0a881520b12db/1613988626170/111.jpg Available at Day Gallery Bushland (120mm photograph, 2015) Available to purchase via Day Gallery (New South Wales) or Cream Town (Victoria) https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/6033657011599b6703480ec8/5fbba6bcdb275d51d941e1fc/1614256450236/ Available at Day Gallery After Atkinson IV (framed tintype, 2020) After Atkinson I to III available to purchase at Day Gallery (Blue Mountains, Australia) With thanks to East Coast Wildflowers https://static1.squarespace.com/static/551775c1e4b0179c6ed00d64/6033657011599b6703480ec8/6037986f0ba7235be052ecc1/1614256426061/lucy-4.jpg Available at Day Gallery http://www.eloisemaree.com.au/about-eloise daily 0.75 2021-02-22 http://www.eloisemaree.com.au/about-eloises-processes daily 0.75 2020-12-31